Creating exceptional and remarkable theatre in unusual places.

Northumberland is known as the county of castles, but it also has a plethora of magnificent county houses.  One such house, Seaton Delaval Hall, a stately home in the South East of the county, doesn’t seem like the natural location for an Autumn evening’s entertainment. But that was the challenge the National Trust at Seaton Delaval Hall commissioned us to achieve.   

Whilst the building is largely a ruin, the National Trust have been working hard to make it a “place of great theatricality, drama and mischief”.  Our production “The Unlocked Door” tapped into those ambitions.  We devised a series of performances that represented an element in the history of the hall: Sir John Vanbrugh designing the hall; a drag performance recreating the flamboyant ‘Gay Delavals’; the story of a servant caught up in the fire that destroyed the building; a dance that linked to the hall’s time as a prisoner-of-war camp; and an aerial show, encouraging us to look to the hall’s future.  The audience promenaded around the hall taking in each performance and ending in the Stables for a DJ set and drinks. 

We think the audience believed we had created exceptional and remarkable theatre in an unusual space! 

What our audiences thought

“This was a superb event. Great performances by all involved, organised perfectly from the point of view of the visitor. The performances were completely varied, and each engrossed us in different ways.”

Audience Member

“Congratulations! It was a fantastic show. Really appreciated having such an unusual experience to be at the hall at night, in the dark - fantastic atmosphere and felt it fitted the performance. The rave was a highlight; unexpected, funny and context gave added depth. The contrasts between scenes was powerful and the fire & German scenes very emotive. Wonderful to move between monologues and silence, drag and contemporary dance, etc. Enjoyed being immersed in a site-specific performance, without stage managers etc overtly directing us but led by the cast it felt seamless. Moving through history from different people's perspectives was insightful and spoke to the issues of the times, with relevance today. ”

Audience Member

“I liked the open ending to the show, a sign that the story of Seaton Delaval Hall is not over, despite Delaval family no longer connected to the place. The smooth progression of acts from events strictly connected to the history of the place, to the more abstract ones inspired by the place and its history but not rooted in it is a great allegory for how the general perception of the Seaton Delaval Hall evolved over time..”

Audience Member